5 IIDA Student Members Share Their Memorable Moments from the IIDA Student Conference

Last year, the Trustees of the IIDA Foundation added a new initiative to the Designing for the Future Campaign: A portion of the funds raised from the campaign sponsored five IIDA Student Members for an all-expenses paid trip to the 2018 IIDA Texas Oklahoma Chapter’s Student Conference. The annual Student Conference brings together an array of top students, educators, and design industry professionals for a multi-day professional enrichment experience that includes project and firm tours, mock interviews, and a variety of other networking opportunities. Here, these five students talk about what they took away from the experience, the value of portfolio reviews, and what getting outside of your comfort zone can do for yourself and your career.

Making Fast Friends

With my sponsorship from IIDA, I was able to attend the 18th annual IIDA Texas Oklahoma Chapter Student Conference, an opportunity I otherwise wouldn’t have financially been able to do. I was the only student from my school and from the state of Utah to attend the conference — I was pretty nervous. However, on the first day, I rode the bus from the hotel to the pep rally at the Haworth showroom. I randomly sat by another student who was also there by herself from Kansas. We realized that we were both recipients of the same sponsorship from IIDA. That evening we met another student from California who had been sponsored to attend the conference and we all quickly became friends.

I participated in the portfolio review and mock interviews. I was nervous but I was paired with incredible designers who were very genuine, talented, and eager to help me. They gave me great feedback and comments on my portfolio and how to interview with ease.

Allison Newell, Student IIDA, Utah State University, Inter Mountain Chapter

Realizing What You Want to Focus On 

I’ve always been told that to be the best designer, you have to walk out on a limb, make that extra effort, and step out of your comfort zone. Well, in my two years of traveling from Tuscaloosa, Alabama, to Houston and Dallas, I can say that this conference has taught me some of the most valuable and interesting lessons about being the best designer I can be!

This year my experience was nothing short of amazing. Each year the Texas/Oklahoma Chapter make us Alabama students feel so welcome with their generosity and hospitality. Seriously, these volunteers who put together this conference give their hearts and souls to making this the most educational and rewarding experience for students. I have always known that I wanted to be a commercial designer, however, it was at last year’s student conference that I realized I wanted to focus on corporate and office design and create spaces that make work environments enjoyable.

Carmen Jenkins, Student IIDA, University of Alabama, Alabama Chapter

Surrounding Yourself with Passionate People

This was my first time ever attending the IIDA Student Conference. I’ll admit that I had no idea what to expect but the whole time being there was such a learning experience because I got to meet so many students that were just like me who knew what it was like to stay late in the studio to complete projects. It was so inspiring to see how passionate other people are about interior design, why they chose this career path, and what they are striving to be. There was so much to take in and I enjoyed every minute of it.

Nicolle Soriano, Student IIDA, Chaminade University of Honolulu, Hawaii Pacific Chapter

Learning How to Stand Up for Your Design

Any professional that I met, I made sure to grab their business cards. If they didn’t have one, I took a picture of their name tag. I now have a phone full of name tags and business cards. Each one of the professionals encouraged us to tap into their resources, ask them questions, email them about products, ideas, resumes, portfolios, etc. They wanted to help us succeed.

Our keynote speaker for the event, Primo Orpilla, co-founder of the firm Studio O+A, left all of us with some very wise words. He told us to find our voice, define our narrative, leverage space types to building flexibility, and to customize and curate success. We need to be in control of the design. Stand up for our design. We need to understand the things that make the space a memorable experience. Have empathy for the client and the space, not sympathy. He concluded his talk by reminding us that our design can change attitudes and how the users treat one another. Your designs have an impact!

Kellie DeVries, Student IIDA, Michigan State University, Michigan Chapter

The Power of a Portfolio Review

Our final day was loaded with panels and speakers, filling my head with very valuable information about stepping out into the world after school successfully. The best part of my day, however, was the portfolio review. After two conversations with a very kind Susan Bellson from JSI she pulled me over and set me up to do my review with Elizabeth Trupiano from Corgan and I got very lucky with that. Elizabeth asked great questions of me, listened intently and gave helpful critiques, and then sat and answered all of my questions until we ran out of time. I loved making friends and connections that I’m sure will last me years.

Chelsea Bainbridge, Student IIDA, Kansas State University, Mid America Chapter


To learn more about IIDA student membership, including professional development and leadership opportunities, visit iida.org.

IIDA Northern California Chapter: Be A Better Advocate, Know Your State’s Laws

This post was contributed by Bill Weeman, IIDA, CID, president of the Interior Design Coalition of California and former vice president of advocacy of the Northern California Chapter.

One of the first steps in being an educated advocate is knowing your state’s current law and how it works. It’s an important first step in understanding why commercial interior design advocacy matters.

In California, interior design advocates in the state should know that California law provides for the certification of interior designers per the Business and Professions Code section 5800, et seq.(BPC 5800). This code section reserves the title of “Certified Interior Designer” (CID) and delegates the evaluation of interior designers and the ability to award the title to a nonprofit “interior design organization.” No specific organization is designated by law to administer this title – unless you’re the California Council for Interior Design Certification (CCIDC).

The Facts

CCIDC may provide the stamp to an individual who provides “evidence of passage of an interior design examination approved by that interior design organization” along with a combination of education and diversified interior design experience. California is the only certification administered by an independent, private organization; it’s also the only state with its own exam.

The Interior Design Exam (IDEX), created by CCIDC, is the only permissible qualifying examination for CIDs in California, but it’s not recognized by any other state or by the federal government. Since California uses its own exam for certification, there is no reciprocity with other states, which makes it more difficult for California interior designers to expand their portfolios outside of California.

Additionally, the acceptance of plans with a CID stamp for review by local building departments is inconsistent across the state. Existing law provides local building departments discretion to accept or reject plans by a CID. Subsequently, in many jurisdictions across the state, CIDs cannot independently obtain the necessary permits on their own work – work that is squarely within their scope of practice and qualifications.

So what does this have to do with why we advocate?

We advocate to raise the bar, to ensure that qualified interior designers can practice to their fullest capabilities by providing them with the tools needed to succeed in California both independently and as part of a corporate partnership. Strengthening the profession benefits California consumers by increasing competition and ensuring access for interior designers to work independently, as they are qualified to do, in non-structural, non-seismic code-based built environments.

We advocate for using a combination of education, experience, and passage of the nationally recognized NCIDQ exam as the qualification requirements. We advocate to be recognized as “registered design professionals” as defined in the International Building Code, which will enable Registered Interior Designers equal access to the permitting process across the state.

We advocate to eliminate the misunderstanding and misinformation of our profession, and to promote smart policies that move us forward together.

When we, as interior designers, know how state laws impact us, we can be a more educated, stronger advocacy base to make real change for the interior design profession.


For more information on the laws in your state, visit advocacy.iida.org.

From Interior Design Student to Interior Design Professional: 5 Tips to Keep in Mind

You graduated from your interior design program – congratulations! Now it’s time to tackle the next challenge: preparing for your career as a professional designer. This June, IIDA brought together four design industry experts to answer the questions students and recent graduates want answered. Thank you to Stacey Harloe, Ind. IIDA, of OFS Brands, Amy Leigh Hufford, Student IIDA, of NELSON, Hunter Charles Kaiser, IIDA, NCIDQ, of hk+c, and Rebekah L. Matheny, IIDA, of The Ohio State University for sharing their wealth of knowledge, insight, and advice at this year’s Career Bootcamp Panel sponsored by OFS Brands. From what makes a standout portfolio to how to network with the pros, here’s what they had to offer about succeeding in a career in interior design.

Bedside Manner

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Adopting a “humanistic” approach to solving a problem doesn’t just live in the area of medicine; it’s a significant part of your practice as a designer. Fulfilling a design concept for a client requires as much empathy as it does efficiency. “When the clients talk, they’re telling us the solution,” said Hunter. “We need to extrapolate it.” Be prepared to ask questions like, “What do you want to be able to accomplish in your space?” and “How does the space make you feel?” Use words that your client can understand, not design jargon. Talk less, listen more. Establishing rapport and trust with your client are crucial to maintaining a happy and healthy working relationship.

Tell Me Your Story

Rebekah starts the design process with her clients by asking them their story. “Sometimes, it’s not the client you’re designing for, it’s their customers, it’s their users of the space. How do you communicate the unfolding story in the space?” Understanding your client’s story will guide your design and dig deeper into the underlying goals and objectives. Added Amy, “We’re not designing for now, we’re designing for the future. At NELSON, we ask them, ‘How can we make you start your future now?’ ‘How can we institute change management for your company to make you perform better?’”

Process, Personality, Confidence

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A unique, creative, and diverse portfolio along with a strong skillset show you’re a talented and capable designer. Your personality and ability to describe your process eloquently are what sell you. “You’re going to have to articulate your vision to your clients, so there’s a selling acumen that starts very early for you, and that’s in the interview,” said Stacey. Build your confidence; practice articulating your portfolio as you prepare for job interviews. Come armed with questions, be inquisitive, and have a positive attitude. “Skills can be taught. It’s the thought process that’s most important because you’re bringing your mind set — the way you see and experience the world around you,” said Rebekah.

Share Your Work

Social media has become a natural part of our day. It’s as easy to post pictures of our vacation as it is pictures of our work. For some designers, sharing images of their work has been a real concern – what if someone copies my idea? Stacey embraces that. “When someone copies your idea, that is pretty rewarding. That’s gratification that you did something good, and that idea will become parent to later ideas.” We live in a world of sharing. If you’re doing something that’s well-done and you’re proud of, let people see it and learn from it. Conversely, added Hunter, share your mistakes so we could learn from those too.

Have a Dialogue

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It can be intimidating to approach designers when you want to catch them for a couple of minutes at a networking event or at the end of a talk. Rest assured, many of them know that. “Every designer started at one point too,” said Hunter. To help you break the ice, do a little bit of homework and research the designer before attending the event. What was the last project they worked on that you liked and why? Where did they get their start? Knowing these answers will inform what questions you ask and maybe find some common ground with them. And, quite honestly, sometimes starting the conversation is as simple as a compliment. “Find a way to flatter them,” said Amy.

But dialogue is a two-way street. “It’s also our responsibility [as professional designers] to say hi,” said Rebekah. “We need to make that human connection with you. Let’s shift to a collaborative process. Let’s co-design.”


Check out the IIDA Career Bootcamp page for information about the the Career Bootcamp Panel, interviewing, and networking. We also encourage you to reach out to your local Campus Center leaders for resources and suggestions that meet your needs as an IIDA Student Member. 

 

Up Close with Philadelphia University

IIDA Campus Center: Philadelphia University

IIDA Chapter: Pennsylvania/New Jersey/Delaware Chapter

Where: Philadelphia, Pennsylvania

Board Members

Co-Presidents: Christine Migliore, Student IIDA, and Rachel Thode, Student IIDA

Secretary: Kaitlyn DeBeras, Student IIDA

Events Coordinators: Caitlin Bakofsky, Student IIDA, and Bridget Sax, Student IIDA

Treasurer: Julia Strange, Student IIDA

IIDA Liaison: Emily Nelson, Student IIDA

ASID Liaison: Chela Humber, Student IIDA

AIAS Liaison: Gabriela Morales, Student IIDA

Social Media Coordinator: Paige Hocker, Student IIDA

Number of Student Members: 93

IIDA Campus Centers are the first point of contact interior design students have to IIDA. Each one is unique in design, programming, and initiatives, which makes for a varied student experience across chapters. We want to highlight the diversity of IIDA Student Member experiences by introducing you to a handful of campus centers. From how they run their group to what activities garner the most student interest, here is what we learned after sitting down with the IIDA Campus Center at Philadelphia University.

IIDA HQ: Tell us about your campus center – What does your Board of Directors look like? How does your campus center operate?

IIDA Philadelphia University Campus Center: Our board consists of interior design students of all grades. We have a secretary, event coordinators, a treasurer, an IIDA liaison, AIAS liaison, ASID liaison, and a social media coordinator. We hold monthly board meetings, which allow us to come together and gather our ideas and plan events. These meetings are typically held a week before our monthly campus meeting where all ideas and events are then discussed with all of our campus center members. These meetings allow us to get any feedback from all of our members on any suggestions for events we hold, as well as answering any questions they may have.

Co-presidents and Board Members

Philadelphia University Campus Center Co-presidents and Board Members

IIDA HQ: What kind of events and activities do you host at your campus center?

PU: This past semester we held Milkshake Monday to help raise money for future IIDA events. This was open to all students and faculty on campus to gain awareness of IIDA.

Milkshake Monday

We also hold a mentor-mentee program within our campus in which we pair underclassman with upperclassman. This gives the underclassman an extra resource to go to for help regarding design and any other classes. We held a pizza social to introduce the mentees to their mentors. At the end of the semester we also held a potluck, which was open to all students in our interior design program – not just those who are IIDA members. This allowed everyone to come together and encouraged those who are not already members to join.

This upcoming semester we plan to hold firm and showroom visits as well as host our annual product showcase to help familiarize students with the industry.

IIDA HQ: What are your favorite or most successful events and activities that you host?

PU: Our potluck was our most successful event that we have held so far. We had a significant turnout that included not only our students but faculty as well. This event allowed everyone to get involved since it was open to all of interior design. It was also a relaxing event to have before the end of the semester.

 

Activities

IIDA HQ: And because we have to ask: What is the biggest benefit of being an IIDA Member and having an active campus center?

PU: The biggest benefit is that we have a constant support system. This support system is created through our mentor-mentee program. Since we do hold events that are open to all of the interior design students on campus, another benefit of being an IIDA Student Member is becoming involved with the Philadelphia Chapter through networking events and competing in competitions. There is always an opportunity for networking and meeting so many new people! Being a member also allows students to participate in the IIDA Student Mentoring Program, which is beneficial in gaining further industry knowledge.


Follow the IIDA Philadelphia University Campus Center on Facebook and Instagram. To learn more about IIDA Campus Centers, visit iida.org

IIDA New England: Committed to Interior Design Advocacy Through Action

Over the last 18 months, the IIDA New England Chapter – with help from IIDA HQ – has hired a lobbying firm, actively engaged with ASID legislative leaders, reached out to the Massachusetts design community, met with lawmakers and officials, and introduced an interior design registration bill into the Massachusetts State Legislature. Undertaking an initiative of this size and scope is no small task and requires a team effort as well as strong leadership. Aimee M. Schefano, Vice President of Advocacy for the New England Chapter, has led the charge, working diligently to convey the importance of this initiative both to the Chapter board and local design leaders.

The lesson learned by IIDA New England? IIDA Chapters have power when it comes to advocacy. Board members are leaders in the design community, and as such, have an amplified voice. When those voices are conveying the same message, real change can happen. If an issue is important to the profession, it is too important to sit on the sidelines.

In addition to the amplified voice of board members, IIDA Chapters can reallocate funding to support advocacy initiatives. While there are many priorities in a Chapter’s budget— from professional development initiatives to events—boards can help rearrange how funding is used, create new revenue streams, or prioritize advocacy and legislation above other initiatives. IIDA New England demonstrated this by using their chapter funds to engage with one of the preeminent lobbying firms in New England.

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It has also proven important for the Chapter to work together with other associations in order to build a strong network of professionals working to advance a common goal. Schefano and Past-President Corinne Barthelemy have worked with ASID New England to create the Massachusetts Advocacy Council of ASID and IIDA, operating under the two chapters and facilitating the shared mission to advance the profession of interior design.

“Educating our profession is crucial to progress. Part of that education requires IIDA members to work collaboratively with other industry leaders. We are never stronger than when we all stand together against adversity,” said Schefano. “In Massachusetts, the design community is represented by a multitude of associations. What has helped us evolve our advocacy strategy is acknowledging that ultimately we are all interior designers, and that is what is most important. “

Through unified voices, effective funding, and organizational collaborations, IIDA New England has set a foundation that will surely lead to advocacy successes in Massachusetts.


For more on interior design advocacy, visit advocacy.iida.org

Past, Present, Future

Without neglecting history or disregarding the lessons learned along the way, design always looks forward. The International Interior Design Association (IIDA) embraces this ethos—gaining wisdom from our past as we charge toward the future of our industry and the association. As the interior design profession becomes more complex and multidisciplinary, it is our job to welcome change, adapt, and support our 15,000-plus IIDA members along the way.

In 2016, IIDA expanded its offerings to commercial interior designers, manufacturers, industry leaders, and students in an effort to fill a need for cutting-edge and worthwhile resources, programming, thought leadership, events, publications, and more. The association commissioned vital research about the industry, publishing the second installment in the acclaimed “Designed Leveraged” series, which makes the case for good workplace design with data and statistics, as well as the first-ever IIDA Compensation Survey and the Economic Impact of Interior Design report.

The findings of the IIDA Compensation Survey reveal current wages for interior designers who work for firms and manufacturers in the U.S., and will be available later this year. The Economic Impact of Interior Design report, previewed at the 2016 IIDA Advocacy Symposium, tells a compelling story about the economic and fiscal impact of the industry at the state and national levels—and is a critical tool for advocates who are making the case for interior design licensing to legislators.

IIDA efforts in 2016 also included supporting tomorrow’s design leaders. We saw the growth of our student programming, which included a record number of participants—more than 1,000 students and design professionals—in our dynamic Student Mentoring program last March. A series of inaugural IIDA Student Roundtable discussions, hosted by OFS Brands and held in Chicago, Atlanta, Los Angeles, and New York, again brought together design students and practitioners to discuss the preparedness of emerging professionals to take on the ever-changing challenges of the design industry.  Continue reading