Good Design is Sticky, Behavior-Enabled, and Hi-Res.

The following is an excerpt from IIDA’s annual Industry Roundtable report, Industry Roundtable 23: The Future of Place, Experience, and Worklife. Read the full report here.

There is no mathematical formula for creating products and spaces that are engaging and compelling—that end-users want to spend time with and in. That said, Holger Hampf of BMW Designworks relies on a set of “power tools” to create designs that have “stickiness”—an attribute that’s getting harder to achieve in our consumerist age of disposability and endless trade-ins and upgrades. “We’re in a dangerous moment where we are able to build excitement for—but not attachment to—objects,” he says with some urgency. “We need to find ways of retaining excitement and building attachment to our designs over time.”

Layering emotive, tonal qualities atop the physical, “object” qualities can enhance the sense of discovery and surprise. It’s an approach that correlates to the workplace, for which we design space around specific behaviors and to foster new types of behaviors. It’s the reverse of starting from an aesthetic style or visual cues. Notions like shape and style come only after first considering the behavior we wish to support, as well as defining the attributes we expect and want the design to deliver. 

Another intriguing, if concerning, aspect of our cultural moment is a lowered standard regarding what we consume. “Everything we experience these days is compressed and pixelated”—meaning the music and images that stream through our smartphones and Internet cables. “We have started to accept the low res, which to me, as a designer, is a disaster.” It’s also a design challenge to be solved. “How can we extrapolate and create experiences that don’t feel compressed?” Hampf proposes. There’s the opportunity to create more relevant, authentic, “hi-res” experiences for our clients.

Design is Ultimately Human

“Automation/AI will change every industry, product, and service, including our profession,” says Diana Farmer-Gonzalez, IIDA, Assoc. AIA. Indeed, it already has. Consider the advent of smart test fits. Verda Alexander, IIDA, had a darker take, cautioning that “AI and genetic modification will pose new problems for jobs—and increasing inequality.”

But where we once used to fear the robots, we now want to partner with them. It’s not about man versus machine, but man and machine. Perhaps in the future, there will be VR interfaces and “prosthetics that fundamentally blur the boundary of human and machine—cyborgs,” Susana Covarrubias, IIDA, predicts. “Interfaces that highlight human interactions are what’s most important.”

But for now, we need to work together better. AI is here to stay and will only become more useful and prevalent. Technology is now often viewed as a positive enabler. This is a shift from the usual party line which supports that technology undermines human connection. Technology can reduce loneliness, for example, a cultural phenomenon that concerns many industry leaders. Julia Feldmeier, journalist and brand anthropologist notes, “Technology gives us a sense of rootedness in a culture defined by the failure of institutions, a culture in which people no longer trust religion or corporations or government.”

Read IIDA’s full Industry Roundtable report, The Future of Place, Experience, and Worklife.

Turning a Conversation About Diversity Into a Movement

In January 2016, IIDA hosted its 19th annual Industry Roundtable. The two-day event held a mirror up to the design industry, showing us that while we are well-intentioned about increasing diversity – as a whole, across racial, gender, generational, etc., lines – in our workforce, we must be assertive about transforming our discussions about diversity into an action plan.

To that end, IIDA is excited and proud to share the executive report from that day. Tackling the topic of diversity and inclusion in the design industry, the report, “Diversity and Design: Why Gender, Equity, and Multidisciplinary Thinking are Essential to Business,” summarizes the lively and productive discussion of 30 design industry leaders from the Roundtable and provides a strategic roadmap for the newly formed IIDA Diversity Council, chaired by Stacy Walker, Ind. IIDA, Director of Customer Experience at Milliken.

“IIDA approached the subject of diversity in the design industry by taking stock of our Association. From chapter events to continuing education programs, to the headquarters of our partners in manufacturing to our own board of directors—diversity, or the lack thereof, was apparent,” said IIDA Executive Vice President and CEO Cheryl S. Durst, Hon. FIIDA, LEED AP, who moderated the Roundtable. “This report and the formation of the IIDA Diversity Council are the first steps of many toward a more diverse industry—in race and gender, and thought and discipline.”

The Industry Roundtable report features research highlighting the myriad benefits of diversity in business, statistics illustrating the current state of diversity in the design industry, and personal accounts from industry leaders who shared their experiences as African-Americans creating opportunities for cultural awareness and inclusiveness both in their own firms and across the profession.

HIGHLIGHTS FROM THE REPORT

By the numbers

69 percent of the 87,000 practitioners in the interior design industry are women. Yet, female design firm leadership is only 25 percent.

There are 347 total licensed women architects in the United States. Of this, 0.3 percent are African-American. (Correction: There are 347 total licensed African-American women architects in the United States, representing 0.3 percent of all registered architects.)

What’s one of the top five least diverse professions? Architecture.

By the stories

“Designers have a powerful impact on the environment, and I want more people who look like me to have a say in that. Growing up, I had seen what architecture does to our communities; they suck. I wanted to change how my people live.”

-Gabrielle Bullock, IIDA, FAIA, NOMA, LEED AP BD+C, Director of Global Diversity, Perkins+Will

“There was a group of us in D.C.; we used to see each other around and at meetings, and do the ‘black nod.’ One day we were like, ‘Wouldn’t it be nice to meet up?’ So we created an informal group for black designers—interior designers, architects, and manufacturers. The size went from 20 to 35 to 75. Then brokers wanted to come, people from the periphery of the industry. Last time, we even had students. It was nice. You don’t realize the impact of just being there together.”

-Jeffrey Gay, Ind. IIDA, Architecture + Design Representative, Herman Miller

Looking forward

“There’s a misunderstanding that design is only accessible to a privileged few. Because of the lack of exposure at the early educational level, many minority groups do not choose design as a professional path.”

-Edwin Beltran, IIDA, Assoc. AIA, Principal/Designer, NBBJ

Targeting the talent pipeline – the next generation of interior design professionals – is key to an inclusive industry. It is our responsibility as professionals in the field to become more involved in schools in disadvantaged communities and introduce them to career options in design. Inspiring role models and mentors representative of minority groups also need to be more visible.

You can download and read the full report on the IIDA website.


How has your company addressed diversity in the workplace? Tell us and share your feedback about the report in the comments.

How do we tackle diversity in the Interior Design industry?

Bringing together a group of 30 interior designers and manufacturer representatives, the 19th International Interior Design Association (IIDA) Industry Roundtable, held Friday, Jan. 8 through Sunday, Jan. 10 in Chicago, tackled the often-personal, sometimes uncomfortable topic of diversity in the Interior Design industry.

“Diversity is not only about race and gender, but also diversity of thought and discipline. It is in that spirit that IIDA brings together a group of interior designers, architects, and manufacturers to discuss a topic that can be difficult to address in a way that is productive,” said IIDA Executive Vice President and CEO Cheryl Durst, Hon. FIIDA, LEED AP, who moderated the lively group discussion. “As industry professionals, we talk to clients about how to live beyond definition and expectation, and that is why this topic is so germane to who we are and what we do.”

Durst set the tone for the Roundtable by playing Mellody Hobson’s TED talk, Color Brave.

Speakers Gabrielle Bullock, FAIA, NOMA, LEED AP BD+C, Director of Global Diversity, Perkins+Will, and Shauna Stallworth, IIDA, Principal, LUHF & LUMM LLC, shared their experiences as African-American women in interior design who are creating opportunities for cultural awareness and inclusiveness both in their own firms and across the industry.

Gabrielle Bullock_500x500

“I’m used to being the only one in the room,” said Bullock. “I want more people who look like me to have the opportunity to be in the room. I see myself as a change agent and an advocate of diversity.”

“Race enters every single equation so if we’re not comfortable talking about it we’re never going to get to a solution,” said Stallworth.

Both Stallworth and Bullock highlighted the need not just for diversity, but also inclusion.

“Diversity is the mix. Inclusion is what you do with the mix,” said Bullock.

Participants were inspired to go beyond conversation with the 30 designers and manufacturer representatives forming the Interior Design industry’s first-ever Diversity Council on the final day of the Roundtable. The newly formed Council, chaired by Stacy Walker, Ind. IIDA, Director of Customer Experience at Milliken, has been charged with creating a diversity policy statement for the Interior Design profession and will tackle goals ranging from funding diversity research and promoting diversity resources to creating a curriculum that encourages students of diverse backgrounds to pursue careers in design.

An executive report on the 19th IIDA Industry Roundtable will be released in March 2016.